000 |
|
$aamIa0c a |
001 |
|
$aocn829989418 |
003 |
|
$aOCoLC |
005 |
|
$a20220403213021.0 |
008 |
|
$a130313s2013 mauad 001 0 eng d |
010 |
|
$a 2012287831 |
015 |
|
$aGBB353964$2bnb |
016 |
7 |
$a016429657$2Uk |
019 |
|
$a871353661 |
020 |
|
$a9780876391341 (pbk.) |
020 |
|
$a087639134X (pbk.) |
024 |
1 |
$a884088574635 |
028 |
32 |
$aHL50449627$bHal Leonard |
035 |
|
$a(OCoLC)829989418$z(OCoLC)871353661 |
040 |
|
$aYDXCP$beng$cYDXCP$dUKMGB$dBKC$dCLE$dOCLCO$dBDX$dOCLCO$dUKBOL$dOCLCQ$dDLC$dNZAUC$dOCLCF$dOCLCO |
049 |
|
$aORXA |
050 |
4 |
$aTK7881.4$b.C747 2013 |
082 |
04 |
$a777.53$223 |
092 |
|
$a777.53 C9514a 2013 |
100 |
1 |
$aCross, Mark,$d1963-$eauthor. |
245 |
10 |
$aAudio post production for film and television /$cMark Cross ; edied by Jonathan Feist. |
260 |
|
$aBoston :$bBerklee Press ;$aMilwaukee, WI :$bDistributed by Hal Leonard,$c©2013. |
300 |
|
$axii, 227 pages :$billustrations, charts ;$c23 cm |
336 |
|
$atext$btxt$2rdacontent |
337 |
|
$aunmediated$bn$2rdamedia |
338 |
|
$avolume$bnc$2rdacarrier |
500 |
|
$aIncludes index. |
505 |
00 |
$tIntroduction to post production --$tEvolution of sound for film and television --$tThe process of making a film --$tPost-production media --$tLocation sound recording --$tWorking with sound effects --$tWorking with dialogue --$tFoley --$tMusic editing --$tMixing music for film and television --$tThe pre-dub/temp mix --$tThe final dub --$tTemplates --$tThe music and effects mix --$tDelivery and archiving. |
520 |
|
$a"Learn the essential skills to enter the audio post-production industry. This book offers a broad coverage of audio post production, including the four basic elements: dialogue, music, sound effects, and Foley effects. You will learn strategies for working with composers, music supervisors, and dialogue and sound effect editors, and explore techniques on how to edit songs to fit a scene, record dialogue replacement, cue Foley effects for a scene, as well as many more. In addition, you will learn how to prepare for a pre-dub or temp mix (to group and sub-mix tracks into stems for the final dub), create the final dub, and prepare the mix for foreign distribution and final delivery. By learning the tools and strategies used by working professionals, you will have an advantage to participate effectively in this fast-paced environment, as well as applying these skills to independent projects." --Publisher description. |
596 |
|
$a5 |
650 |
0 |
$aSound$xRecording and reproducing. |
650 |
0 |
$aMotion pictures$xSound effects. |
650 |
0 |
$aTelevision music$xInstruction and study. |
650 |
0 |
$aMotion picture music$xInstruction and study. |
700 |
1 |
$aFeist, Jonathan.$4edt |
935 |
|
$ab2307260x |
950 |
|
$c1$ibibliocommons_0 |
994 |
|
$a92$bORX |
997 |
|
$aWorldCat record variable field(s) change: 650 |
997 |
|
$aMaster record variable field(s) change: 650 |
998 |
|
$aea/ch/ |