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Seeing the Unspeakable

The Art of Kara Walker
Shaw, Gwendolyn DuBois (Book - 2004 )
Seeing the Unspeakable
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One of the youngest recipients of a MacArthur "genius" grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker's work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker's striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker's pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven , John Brown , A Means to an End , and Cut . She offers an overview of Walker's life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers' sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents' generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America's racist past and conflicted present.
Authors: Shaw, Gwendolyn DuBois, 1968-
Title: Seeing the unspeakable
the art of Kara Walker
Publisher: Durham : Duke University Press, 2004
Characteristics: xii, 195 p. :,ill. (some col.) ;,25 cm
Statement of Responsibility: Gwendolyn DuBois Shaw
Contents: Tracing race and representation
The "rememory" of slavery
The lactation of John Brown
Censorship and reception
Final cut
ISBN: 0822333961
9780822333968
0822333619
9780822333616
Branch Call Number: 709.2 W181s 2004
Bibliography: Includes bibliographical references (p. [157]-186) and index
Subject Headings: Silhouettes Slavery in art African Americans in art Walker, Kara Elizabeth Criticism and interpretation
Topical Term: Silhouettes
Slavery in art
African Americans in art
LCCN: 2004009137
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app08 Version sidamo (sidamo) Last updated 2014/09/17 15:16