Notes on the Cinematographer

Notes on the Cinematographer

Book - 1997
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A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped , Robert Bresson is one of the central figures of French cinema. Notes on the Cinematograph is not only his definitive treatise on film-its inherent peculiarity and potential-but an ascetic meditation on how art transcends, and is transformed by, the senses. a Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds- oNo marriage of theater and cinematography without both being exterminated.o a To this end, Bresson rechristens his actors omodelso and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged, instead, with inscrutability- oA model. Enclosed in his mysterious appearance. He has brought home to him all of him that was outside. He is there, behind that forehead, those cheeks.o
Publisher: København : Green Integer ; Los Angeles, Calif. : Distributed in the U.S. by Sun & Moon Press, 1997
ISBN: 9781681370248
9781557133656
1557133654
Branch Call Number: 791.43 B843n 1997
Characteristics: 140 p. ; 16 cm

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mclarjh
Sep 30, 2017

Meaningless without context.

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PatEe
Mar 13, 2017

Not much useful in here.
Not clever or particularly interesting either.

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